It has been a great privilege to work in some beautiful and interesting studios, including Ocean Way Recording [LA and Nashville], Sounds Interchange, Phase One, Metalworks, Reaction [Toronto], Grant Avenue Studio [Hamilton], and recently, Audities Foundation [Calgary]. I currently have my eye on Blackbird Studios [Nashville] for a couple projects.
1986 was an amazing year to get into record production, when sound and space, tape formats, reverbs and mics were deemed exceptionally important in delivering compelling recordings. I am so pleased that commitments to sonic integrity are still present in many of today’s recording environments. I look forward to the projects on the slate, and working with artists to deliver records that are in essence, contributions to the art of record production.