ONE DAY ONLY!!

• Tuesday, November 29, 2011
• 10 am – 5 pm
• Location:  258 Wallace Avenue, Suite 207
• East Fire Escape Entrance

A few of the reasons for this move include more analog options (2″ and 1/2″ tape machines, buckets of Neve pre-amps, classic compressors and EQs, a larger mic locker), a lower noise floor [you can watch the Air Show, and never hear it] and more space for my growing instrument collection. My mixing options have increased as well, with both Studio A and B available depending on delivery requirements for each project. There are comfortable lounges and parking supplied, as well as great hotels and restaurants within walking distance.

As many of you know, I love the sound of live bands, string ensembles and horn sections. Noble Street is wonderfully equipped to capture these acoustic instruments. Sweetening productions in this way has always been a passion of mine, and I’m thrilled to have direct access to facilities that capture these performances with style.

At Noble Street, I also have a dedicated production suite for writing, programming and admin, and preferred rates in all spaces for each level of project. So I hope you’ll come alongside and jump off the Fire Escape with me – come grab a coffee with me at Noble Street!

I think it’s important to draw inspiration from numerous sources.  Travel does this for me, as does working in different studio environments.  A shout out to Brian Harrison at The Rendering Plant in Nashville for great sessions and high-octane screwdrivers.

A highlight for me was arranging the musical tribute to Michelle Wright, who was inducted into the Canadian Country Music Hall of Fame.  I arranged a medley of “Take It Like A Man,”Safe In The Arms of Love,” and “Nobody’s Girl.”  Featured vocalists were Terri Clark, Katie Love Hess and Victoria Banks, respectively and wow, did they knock it out of the park!  Thanks to Kevin Fox and string players for sweetening the band so much.  And thanks to my core band, Jeff [Mackie] MacPherson, John Dymond, Darren Savard, Tony Lind, Burke Carroll, Linsey Beckett and Dallas James for stellar performances.

Here’s Pear performing at the Industry Awards.

It was great fun to play B3 with Jimmy Rankin and his band and arrange strings for his song, “Here In My Heart.”  Our friend, Patricia Conroy, [who co-wrote this song with Jimmy] was a featured performer that night too.

Nick Perreault – Foreign Affairs

It has been pure joy to work with Nick Perreault on his CD.  Bedtracks were recorded in Toronto at Fire Escape with Gary Craig on drums and Pat Kilbride on bass, Nick on acoustic and me playing an assortment of pre-80s keyboard instruments [CP70, Farfisa, Wurlitzer, Mellotron, etc].  Electric guitars, mandos, steel and vocals were cut at Playground Recording Studios in Nashville while final mixes ended up back in Toronto.  Back to Nashville for mastering with Hank Williams at Mastermix.

For those who know Nick’s writing through his debut CD and EP, I trust this collection will feel like a logical extension and “upward expansion” [insert geek term here] as well as a colourful portrayal of his savvy musical writing and wry wit.

 Cheryl Thibideau – Paper Fire

5 months to write, record and mix this debut CD.  It was a whirlwind, a Paper Fire, if you will, of lyric tidbits, charts, Masterwriter documents, and Dropbox edits.  Using some of Nashville’s newest, oldest and best country musicians, we blazed through sessions with passion and purpose.  What a fun record to create, and Cheryl’s mature, country croon is the crown jewel.

Mrs. Johnston – Handshakes When We Win

Recorded and mixed by Adam Gabourie and me at Fire Escape.  Mastered by Adrian Carr at AC Mastering, Montreal.  Niagara’s reigning Kings of Funk/Rock have been jumping from one success to another, taking several awards at the Niagara Music Awards, releasing a debut CD and now set to launch a national tour and campaign with this upcoming release.  Think Beatles meet Red Hot Chili Peppers.  We expect to see singles service radio before Christmas.

CRWRC – Sing Hallelu

It has been a true honour to write the 50th anniversary theme song for Christian Reformed World Relief Committee, a non-profit agency serving the poor around the world.   CRWRC envisioned a recording that had a global, world-music sound to it, which eventually led me teaming up with the Erub Children’s Choir in Cape Town, South Africa.  What a joy to be walking towards the studio and hearing the sound of  African children singing Sing Hallelu as it floated into the concourse.  I knew we had a hit before I entered the studio.  Pure joy!

I recently acquired a M4000D directly from Mellotron.  For those of you who may remember, Mellotron was [arguably] the first sample playback device in the 1960s to use tape cartridges to recreate the sound of other instruments.  The mechanism was clunky and suffered from tape wobble and hiss and artifiacts, which ended up adding to its charm.   Mellotron was resusitated in 1989 and has been building newer, sturdier Mellotrons ever since.   With the advent of digital playback [sampler] systems, the call for this kind of instrument is small though, but for those “in the know,” they are highly esteemed.

This new digital instrument from Mellotron is everything I could have hoped for.  It sounds beautiful, offering high resolution capture of the Mellotron and Chamberlain sound sets and delivers the uncomplicated warble and kitsch of the original tape instruments.  It has amazing horsepower and playability, allowing instantaneous playback of libraries that few could afford in the past.  The wooden keyboard is expressive [full polyphonic aftertouch] and the sound combinations are beyond what any tape-based instrument could offer.  Undoubtedly, there will be skeptics who prefer the original, but this is not your father’s sampler.  A dream come true.  Dave and Markus indulged my request and signed mine.